Beat the heat and catch four of the year's best films, all @TheNYFF selections, in our theaters this holiday week! ☀️
🎥 Catherine Breillat's LAST SUMMER
🎥 Annie Baker's JANET PLANET
🎥 Angela Schanelec's MUSIC
🎥 Ryusuke Hamaguchi's EVIL DOES NOT EXIST (returns Friday!)
🎟️ + showtimes at the link in bio.
We’re thrilled to announce Spectacle Every Day: Mexican Popular Cinema, a sweeping retrospective of Mexican cinema from the 1940s through the 1960s, presented at FLC in collaboration with @filmfestlocarno from July 26 through August 8! 🇲🇽 🎥
With new restorations of many works rarely screened or some never before seen theatrically in the United States, and standout performances from the biggest screen stars of their day, this series offers New York audiences the rare opportunity to experience the breadth of this unique period of Mexican film history on the big screen.
Explore the lineup at filmlinc.org/mexican
Tickets will go on sale on Tuesday, July 2 at 2pm, with an early access period for FLC Members starting Tuesday, July 2 at noon. 🎟️
Organized by Tyler Wilson and Cecilia Barrionuevo in partnership with the @filmfestlocarno and with support from @cinematropical. This program was selected from the retrospective curated by Olaf Möller and Roberto Turigliatto at the 2023 Locarno Film Festival. This series is made possible by the generous support of Almudena and Pablo Legorreta.
“Spectacle Every Day: Mexican Popular Cinema” is sponsored by @mubiusa, the global streaming service, production company and film distributor dedicated to elevating great cinema.
"An otherworldly revelation...Music is a beguiling film, one whose steady, exquisitely crafted frames only amplify the strength of emotions thrumming just beneath them." - @goileonardo at @thefilmstage
Angela Schanelec's Berlinale winner and @TheNYFF selection MUSIC opens today featuring introductions by Doug Tielli, the singer-songwriter featured in the film, at the 6:15pm screenings tonight and Saturday!
Get 🎟️ at filmlinc.org/music 🎵
Thank you to the legendary Catherine Breillat for stopping by our retrospective last night for Q&As at LAST SUMMER and FAT GIRL, now available to watch on our YouTube channel!
Don't miss the final day of the retrospective today and Q&As all weekend long with Breillat for LAST SUMMER:
☀️ Friday at 6pm (moderated by @alisonwillmore)
☀️ Saturday at 6pm (moderated by @irasachsfilm)
☀️ Sunday at 3:30pm (moderated by @bea_loayza)
📸: @photojuice
#lastsummer #catherinebriellat @asideshowfilm @janus_films @maddiemaxine
The one and only Catherine Breillat joins us in person tomorrow evening at 9pm for a Q&A following our 35mm 🎞️ screening of the #NYFF38 Main Slate selection FAT GIRL.
In what is still considered by many to be Breillat’s magnum opus, an overweight 12-year-old watches on as an Italian law student courts her beautiful older sister while they vacation in a seaside town, setting into motion a series of abject and disturbing events.
If you’ve never seen the film before, strap in. 🎟️: filmlinc.org/carnal
James Mason and Eva Marie Saint on the set of NORTH BY NORTHWEST (1959) with the film’s stunning VistaVision camera. An event so big, we hope our screen can contain it!
Filmed in glorious VistaVision, Alfred Hitchcock’s classic arrives at Film at Lincoln Center (12 showtimes in total) across July 23-25 on a newly restored, beautiful 70mm 🎞️ print!
NORTH BY NORTHWEST was filmed in VistaVision and released in 1.85. Motion Picture Imaging scanned the original 8 perf 35mm VistaVision camera negative in 13k with all restoration work completed in 6.5k. The 70mm film print was created by filming out a new 65mm negative. The @thefilmfoundation_official has given approval of the restoration.
🎟️ will go on sale this Wednesday at 2pm, with early access at noon for FLC Members: filmlinc.org/northwest
Adapted from her own novel, 36 FILLETTE (1988) ranks as one of Catherine Breillat’s signature films and another of her sophisticated, unsentimental portraits of a young woman’s sexual coming of age.
In 36 FILLETTE, a precocious and curious 14-year-old on a camping trip with her parents in Biarritz tests the limits of her ability to exert power over men while at the same time growing increasingly anxious to lose her own virginity.
The film screens in a new 4K restoration tonight, June 24 & Thursday, June 27 at 8:30pm! 🎟️: filmlinc.org/carnal
Catherine Breillat’s first feature A REAL YOUNG GIRL (1976)—about the increasingly transgressive sexual awakening of a 14-year-old girl—endures as one of the boldest and most provocative debuts in 🇫🇷 French cinema after the New Wave.
The film screens in a new 4K restoration on Saturday, June 22 at 2pm and Wednesday, June 27 at 6:30pm as part of our retrospective Carnal Knowledge: The Films of Catherine Breillat! 🎟️: filmlinc.org/carnal
When it’s cooking outside, it’s best to escape the heat with a Baker. ☀️ 🌞
Annie Baker’s #NYFF61 Main Slate selection JANET PLANET is now playing daily at FLC, with Q&As following tonight’s 6pm screening and Saturday’s 3:30pm screening! Limited tickets remain to these screenings of the newly minted New York Times Critics’s Pick.
Set in 1991 rural Western Massachusetts, the superb debut film from Pulitzer Prize–winning playwright Annie Baker is a work of surreal tranquility that moves at a different, lost pace of life. Baker has created a film about a mother and daughter quite unlike any other, heightening the viewer’s senses and expressing oceans of feeling with the smallest gestures. An A24 release.
🎟️: filmlinc.org/janet
Carnal Knowledge: The Films of Catherine Breillat begins this Friday!
Our retrospective celebrating the legendary 🇫🇷 filmmaker precedes the opening of the #NYFF61 Main Slate selection LAST SUMMER on June 28.
Across a nearly 50-year career, Breillat’s films have unapologetically depicted, dissected, and condemned the plight of the female subject in a world dominated by violent, possessive, insecure, and self-interested men, through a compelling variety of angles, genres, perspectives, and stylistic approaches.
View screening schedule above and get 🎟️ at filmlinc.org/carnal
☀️ You know what today is... ☀️
An #NYFF61 Main Slate selection, Catherine Breillat’s LAST SUMMER opens in our theaters next Friday, June 28 with an early sneak preview on Wednesday, June 26!
In LAST SUMMER, Léa Drucker stars as Anne, a lawyer who specializes in cases of sexual consent and parental custody. Seemingly happily married to kind-hearted businessman Pierre (Olivier Rabourdin) with adopted twin daughters, Anne inexplicably finds herself drawn to Pierre’s estranged 17-year-old son Théo (Samuel Kircher) after the boy returns home to live with them. Embarking on a passionate affair with the teenager, Anne all too willingly thrusts herself into a maelstrom of attraction, intimidation, and manipulation. Breillat’s incisive screenplay elegantly surveys the situation’s extreme power dynamics while giving the brilliant Drucker the chance to create a character who exists entirely within her own moral boundaries. A Sideshow/Janus Films release.
Breillat will join us in person for Q&As at select screenings. View Q&A schedule above and get 🎟️ at filmlinc.org/summer
We’re officially 100 days away from Opening Night of #NYFF62!
Through THIS Thursday, save on Passes at their most discounted rates! Passes give you access to one of the earliest pre-sale periods of the festival, plus single ticket fees are waived.
Through June 20, save on 🎟️! filmlinc.org/passes
📸: @mettieostrowski @photojuice @seandiserio @juliecfoto @colleen_sturtevant_photography
🎉 🥳 Happy birthday Carol Kane, born #OTD in 1952! Kane can next be seen in Nathan Silver’s #Sundance2024 selection BETWEEN THE TEMPLES, opening in our theaters on August 23!
The film follows Jason Schwartzman as a bereaved cantor at an upstate New York synagogue, who has lost his wife, can’t sing anymore, lives with his two mothers, and has a newfound taste for mudslide cocktails. While he keeps kosher and remains devout, his ennui-addled regression seems all but terminal until his 70-year-old grade school music teacher (Carol Kane) walks back into his life and becomes his new adult Bat Mitzvah student… and maybe something more. Something like HAROLD AND MAUDE by way of Mike Leigh, Silver’s ninth feature is perhaps his most accomplished film yet—a portrait of love in a time of loss that is equal parts touching, cringingly hilarious, and effortlessly strange, shot in stunning 16mm by Sean Price Williams and featuring indelible performances by Schwartzman and Kane. A Sony Pictures Classics release.
🎟️ on sale soon and Q&As will be announced in the coming weeks!
One of the world’s most consistently provocative filmmakers, Catherine Breillat proves with her #NYFF61 Main Slate selection LAST SUMMER that she is not through toying with viewers’ comfort levels.
The film opens at Film at Lincoln Center on June 28 (with a special sneak preview on June 26!) with Breillat in-person for Q&As at the following showtimes:
- Wednesday, June 26 at 6pm (sneak preview!)
- Friday, June 28 at 6pm
- Saturday, June 29 at 6pm
- Sunday, June 30 at 3:30pm
🎟️: filmlinc.org/summer
☀️ 🌎 Writer/director Annie Baker returns to Film at Lincoln Center this weekend for Q&As at select screenings of the #NYFF61 Main Slate selection JANET PLANET!
While Thursday’s sneak preview is now Standby Only, 🎟️ are still available for our Friday, June 21 (6pm) and Saturday, June 22 (3:30pm) screenings with post-screening Q&As.
Set in 1991 rural Western Massachusetts, the superb debut film from Pulitzer Prize–winning playwright Annie Baker is a work of surreal tranquility that moves at a different, lost pace of life, and which perceives heartbreak just as Lacy is beginning to grasp the world and her place in it. Baker has created a film about a mother and daughter quite unlike any other, heightening the viewer’s senses and expressing oceans of feeling with the smallest gestures. Nicholson and Ziegler perform their roles with an inspiring lack of sentimentality, and the wondrous supporting cast includes Elias Koteas, Sophie Okonedo, and Will Patton. An A24 release.
Don’t delay! 🎟️ ➡️ filmlinc.org/janet
It was a blast having Wallace Shawn and Annie Baker join us on Friday for Opening Night of our series Angels and Puppets: The Stage on Screen with Annie Baker! The two participated in a Q&A for our 35mm 🎞️ screening of MY DINNER WITH ANDRÉ and an intro for our 35mm 🎞️ screening of VANYA ON 42nd STREET.
The series runs through this Thursday, June 20! View remaining screening schedule and get 🎟️ at filmlinc.org/puppets
📸: @photojuice
A sincere thanks to the 1,157 attendees who joined us in Damrosch Park last night for our packed free screening of BLACK SWAN with director Darren Aronofsky in person! 🌙
We started things off with a Member Mingle event exclusively for FLC Members to enjoy the food and beverage vendors and socialize before the crowds arrived. Scroll through our photo gallery above for select highlights from the evening.
Summer for the City is Lincoln Center’s three-month-long summer festival featuring thousands of artists from New York City and beyond, performing across multiple outdoor and indoor stages. From June to August, Summer for the City will animate every corner of Lincoln Center’s 16-acre campus with hundreds of free and Choose-What-You-Pay concerts, film screenings, dance nights, theater, comedy, silent discos, civic events, family-friendly days, and more, a reflection of the multifaceted communities of New York
Be sure to join us for the following upcoming screenings in the series:
- BEFORE SUNRISE (June 20 at 9pm in Damrosch Park)
- BEFORE SUNSET (June 21 at 9pm in Damrosch Park)
- RRR (July 11 at 8:30pm in Damrosch Park)
- DICK (July 25 at 9pm in Damrosch Park)
Enter to win a pair of Opening Night tickets at the 62nd New York Film Festival at our free Outdoor Film Series this summer! Stop by the FLC table near the entrance to enter.
For more information, visit SummerfortheCity.org.
📸: @colleen_sturtevant_photography
We’re thrilled to unveil the first highlights of the 2024 New York Asian Film Festival, taking place in our theaters from July 12-22!
The festival will host the premieres of 20 feature debuts, its largest lineup of newcomers ever, and features an amplified number of films focusing on LGBTQ+ characters and themes, including several that represent touchpoints in queer cinema.
🎟️ go on sale Thursday, June 20 at 2pm ET, with early access for FLC Members beginning two hours prior at 12pm!
View the lineup for the 24th edition of @newyorkasianfilmfestival at filmlinc.org/nyaff2024
✅ No lies detected.
A TALE OF WINTER (1992), Éric Rohmer’s late-career masterpiece, is the fullest expression of the French filmmaker’s career-long reckoning with Shakespeare.
An #NYFF30 selection, the film screens on Monday, June 17 at 8:30pm with an in-person introduction by Pulitzer Prize-winning playwright and JANET PLANET filmmaker Annie Baker! 🎟️: filmlinc.org/puppets
Film at Lincoln Center presents Angels and Puppets: The Stage on Screen with Annie Baker, a series of 17 films handpicked by acclaimed Pulitzer Prize-winning playwright and JANET PLANET filmmaker Annie Baker that engage with theater as a cinematic theme.
The series begins this Friday! View screening schedule above and get 🎟️ at filmlinc.org/puppets
Don’t miss Sophia Loren in Vittorio De Sica’s final film THE VOYAGE (1974)!
Loren stars in one of her most wrenching performances, playing a seamstress who falls ill not long after her husband dies in a freak car accident, and comes under the care of her late husband’s brother (Richard Burton)—her (not so) former lover.
See Loren and Burton star in this elegantly restrained melodrama on June 12 at 1:30pm and June 13 at 3:45pm as part of our retrospective Sophia Loren: La Signora di Napoli! 🎟️: filmlinc.org/sophia
This retrospective is co-produced by Cinecittà.
Made during the last years of WWII and boasting the largest set ever constructed for a French film ( a tour de force for legendary production designer Alexandre Trauner), Marcel Carné’s CHILDREN OF PARADISE (1945) remains a spectacle of the highest order.
The 🇫🇷 classic screens on 35mm 🎞️ this Sunday, June 16 at 3pm as part of our series Angels and Puppets: The Stage on Screen with Annie Baker! 🎟️: filmlinc.org/puppets
It was great fun having Edoardo Ponti (director of THE LIFE AHEAD), Isabella Rossellini, and many more join us for Opening Night of our retrospective Sophia Loren: La Signora di Napoli!
Our 13-film series celebrating the great 🇮🇹 Italian screen icon concludes this Thursday! This first-ever New York retrospective dedicated to Loren’s films features many brand-new restorations of her most enduring works.
View remaining screening schedule & get 🎟️ at filmlinc.org/sophia
Sophia Loren: La Signora di Napoli Is co-produced by @cinecittastudios.
📸: @photojuice
Sophia Loren: La Signora di Napoli, our 13-film retrospective celebrating the beloved Italian star’s essential body of work, is currently running through June 13!
Co-produced by Cinecittà, this will be the first-ever New York retrospective dedicated to Loren’s films. The series runs from June 7-13.
View the screening schedule above and get 🎟️ at filmlinc.org/sophia
📸: ©Archivio Luce Cinecittà
We’re excited to announce our lineup of festival, repertory, and new release programming for the 2024 ☀️ summer season, from June through September!
The lineup is as follows:
- LAST SUMMER | Opens June 28 with Sneak Preview on June 26 and Catherine Breillat in Person
- MUSIC | Opens June 28
- New York Asian Film Festival | July 12–22
- NORTH BY NORTHWEST on 70mm 🎞️ | July 23-25
- Spectacle Every Day: Mexican Popular Cinema | July 26–August 8
- MOVING | Opens August 2 – Exclusive Run
- GOOD ONE | Opens August 9
- Jacques Rozier | August 16-22
- RED ISLAND | Opens August 16
- BETWEEN THE TEMPLES | Opens August 23
- Film Comment Live: The Rebel’s Cinema—Frantz Fanon on Screen | August 29-September 1
- THE STRANGER AND THE FOG | Opens August 30
- THE GOLDMAN CASE | Opens September 6
- Isso é Brasil: Cinema According to L.C. Barreto | September 6-15
- 62nd New York Film Festival | September 27-October 13
Film descriptions and additional details can be read at filmlinc.org/summer24
Sophia Loren: La Signora di Napoli, our 13-film retrospective celebrating the beloved Italian star’s essential body of work, begins this Friday!
Co-produced by Cinecittà, this will be the first-ever New York retrospective dedicated to Loren’s films. The series runs from June 7-13.
View the screening schedule above and get 🎟️ at filmlinc.org/sophia
📸: ©Archivio Luce Cinecittà
“Miss Loren is magnificent in the best role she’s had since TWO WOMEN.” - Vincent Canby of @nytimes
Sophia Loren & Marcello Mastroianni star in Ettore Scola’s A SPECIAL DAY (1977), screening in a new 4K restoration this Saturday, June 8 at 8pm with an in-person introduction by Edoardo Ponti!
May 8, 1938. All of Rome is turning out to see the spectacle of Hitler’s visit to Italy. Among the few not attending are a harried housewife and mother of six (Loren) and her across-the-way neighbor (Mastroianni, Oscar-nominated), a suicidal former radio announcer. She’s a conservative Mussolini supporter; he’s a homosexual enemy of the state. But after a chance meeting, the two share a life-changing day that will challenge their assumptions about people, politics, and sexuality. Gorgeously photographed in creamy sepia tones and driven by two virtuoso central performances, this tender, daring chamber drama’s look at the human cost of Fascism is more relevant than ever.
View full schedule and get 🎟️: filmlinc.org/sophia
Our retrospective Sophia Loren: La Signora di Napoli retrospective is co-produced by Cinecittà.
It was a great opening last Thursday evening for the 23rd edition of 🇮🇹 Open Roads: New Italian Cinema! The Opening Night selection was the North American Premiere of Edoardo de Angelis‘s THE WAR MACHINE.
This year’s festival, co-produced by @cinecittastudios, concludes its run in our theaters this Thursday! View the remaining screening schedule and be sure to get 🎟️ at filmlinc.org/openroads
📸: @juliecfoto
A suspenseful work suffused with twists, turns, and double crosses, Stefano Sollima’s ADAGIO is an eminently modern noir featuring some of Italy’s greatest leading men.
Sixteen-year-old Manuel (Gianmarco Franchini) infiltrates an exclusive, hedonistic party at the orders of a corrupt cop (Adriano Giannini), and he soon realizes he is a mere pawn in a complex blackmail plot. He then becomes embroiled with a trio of aging gangsters (Pierfrancesco Favino, Toni Servillo, and Valerio Mastandrea), delving ever deeper into darkness while, in the background, Rome is beset by apocalyptic fires and blackouts.
ADAGIO screens tonight, June 2 at 9pm & Wednesday, June 5 at 6pm as part of Open Roads: New 🇮🇹 Cinema! 🎟️: filmlinc.org/openroads
With the 2024 edition of 🇮🇹 Open Roads: New Italian Cinema now underway at FLC through Thursday, June 6, make sure to follow our @letterboxd list highlighting each of this year’s remarkable 📽️ selections!
Open Roads: New Italian Cinema is an annual showcase of the best in new Italian cinema. This year’s edition unveils a broad and diverse selection of Italy’s most exciting films, all North American, U.S., or New York premieres, with appearances and discussions by several of the filmmakers.
@letterboxd list: boxd.it/vRIvS
🎟️: fillmlinc.org/openroads
The 2024 edition of Open Roads: New Italian Cinema is currently running through June 6 only!
Co-produced by Film at Lincoln Center and Cinecittà, the annual showcase of the best in 🇮🇹 cinema is a can’t-miss event. View the full schedule below and get 🎟️ at filmlinc.org/openroads
We’re thrilled to announce Carnal Knowledge: The Films of Catherine Breillat, a complete retrospective of the 🇫🇷 director, to be presented at Film at Lincoln Center from June 21–27 in anticipation of the theatrical release of the #NYFF61 selection LAST SUMMER on June 28 at FLC (with the director in person for a sneak preview on June 26).
🎟️ to Carnal Knowledge: The Films of Catherine Breillat go on sale this Friday, May 31 at 2pm (with an early access period for FLC Members starting May 31 at noon).
The lineup is as follows:
A REAL YOUNG GIRL | June 22 at 2pm & June 27 at 6:30pm
NOCTURNAL UPROAR | June 23 at 1pm & June 26 at 1:30pm
36 FILLETTE | June 22 at 4pm & June 27 at 8:30pm
DIRTY LIKE AN ANGEL | June 23 at 3:15pm & June 26 at 3:30pm
PERFECT LOVE | June 21 at 3:30pm & June 24 at 6pm
ROMANCE | June 23 at 5:30pm & June 25 at 2pm
FAT GIRL | June 22 at 6PM & June 26 at 9pm (Q&A with Catherine Breillat)
BRIEF CROSSING | June 21 at 1:30pm & June 24 at 8:30pm
SEX IS COMEDY | June 22 at 8pm & June 24 at 4pm
ANATOMY OF HELL | June 23 at 8pm & June 25 at 4:15pm
THE LAST MISTRESS | June 21 at 6pm & June 27 at 4pm
BLUEBEARD | June 25 at 6:30pm
THE SLEEPING BEAUTY | June 25 at 8:15pm
ABUSE OF WEAKNESS | June 21 at 8:30pm & June 27 at 1:45pm
LAST SUMMER sneak preview | June 26 at 6pm (Q&A w/ Catherine Breillat) | Opens at FLC on June 28
Learn more about the retrospective at filmlinc.org/carnal
Film at Lincoln Center President Lesli Klainberg has announced the creation of FLC Archives and the appointment of Andrea Battleground as Assistant Director of Archives to manage the initiative.
FLC Archives will serve as a formal record of the organization’s contributions to global film culture, collecting the physical and digital records related to the origins and activities of Film at Lincoln Center across seven decades. FLC Archives includes materials related to the organization’s signature events and legacy projects, beginning with the first New York Film Festival in 1963, FLC’s founding as an entity within Lincoln Center in 1969, the annual Chaplin Award Gala, and the publication history of Film Comment since 1962. The collection includes thousands of FLC programs, photographs, and media from events; New York Film Festival posters; artist portraits; and more than 30 years of recorded artist talks.
Learn more at filmlinc.org/flcarchives
An #NYFF61 Main Slate selection, Marco Bellocchio’s KIDNAPPED: THE ABDUCTION OF EDGARDO MORTARA is now ✅ Rotten Tomatoes Fresh and playing in our theaters!
In this sumptuously mounted film, the Mortara case becomes an extraordinary, nearly operatic historical drama. KIDNAPPED is at once a personal, human-scale narrative of a family in crisis, following parents who will do anything to retrieve their child from the clutches of a ruthless theocratic government, and a wide-scope portrait of a country on the cusp of revolution.
A historic epic of sweeping proportions, don’t miss the latest from the legendary 🇮🇹 filmmaker. 🎟️: filmlinc.org/kidnapped
😍 🤩 The Italian screen icon overlooks W. 65th Street in anticipation of our upcoming retrospective Sophia Loren: La Signora di Napoli!
This first-ever New York retrospective dedicated to Sophia Loren’s films will feature many brand-new restorations of her most enduring works, as well as an appearance by filmmaker Edoardo Ponti.
Don’t miss the 13-film retrospective, running in our theaters from June 7-13! View full schedule and get 🎟️ at filmlinc.org/sophia
A melancholic, philosophical take on science fiction, Piero Messina’s ensemble drama ANOTHER END features Gael García Bernal, Bérénice Bejo & Renate Reinsve.
The film contemplates a futuristic twist on the afterlife and its implications for those whom the deceased have left behind. Gael García Bernal stars as Sal, who has recently lost his partner Zoe in a car accident. When Sal’s sister Ebe (Bejo) suggests he use a new technology to transplant Zoe’s memories into the mind and body of a stranger (Reinsve), he finds himself confronted with a new opportunity to say goodbye to his love—but at what price? A rare blend of high-concept and deeply feeling, Another End is a moving work on human connection in an increasingly virtual world.
Catch the North American Premiere at Open Roads: New 🇮🇹 Italian Cinema on May 31 (with filmmaker Q&A!) & June 4. 🎟️: filmlinc.org/openroads
🚨🎼 Attend a screening of the #NYFF61 Main Slate selection EVIL DOES NOT EXIST from May 24-27, take a photo or screenshot of your ticket, and tag @filmlinc in your Instagram Story for a chance to win a copy of composer @Eiko_Ishibashi’s award-winning soundtrack on vinyl!
Winner be selected and notified via DM by May 28. 🎟️: filmlinc.org/evil
An apocalyptic January heat wave ☀️🥵 in Rome induces a state of collective delirium in Ginevra Elkann’s second feature I TOLD YOU SO, an ensemble piece that follows a constellation of Romans on the brink of a nervous breakdown. The film makes its U.S. Premiere on May 31 and June 5 as part of 🇮🇹 Open Roads: New Italian Cinema!
Boasting a star-studded cast—including Valeria Bruni Tedeschi, Valeria Golino, Alba Rohrwacher, Riccardo Scamarcio, Danny Huston, and more—I TOLD YOU SO turbulently dances from character to character, capturing this intertwined group as their personal issues and existential fears threaten to boil over against a sophisticatedly surreal backdrop.
Featuring an in-person Q&A on May 31! 🎟️: filmlinc.org/openroads
🇮🇹 A compassionate yet unsentimental chronicle of three teenagers on the cusp of adulthood in Rome, Alain Parroni’s AN ENDLESS SUNDAY makes its U.S. Premiere at Open Roads: New Italian Cinema!
In the film, Alex (Enrico Bassetti), Brenda (Federica Valentini), and Kevin (Zackari Delmas) are close friends living on the outskirts of Rome, caught between the ancient city’s feeling of eternity, the terrible bleakness of an uncertain future, and their own horror at the prospect of aging. A compassionate yet unsentimental chronicle of the trio’s daily travails, AN ENDLESS SUNDAY is a spiritual descendant of KIDS and THE DOOM GENERATION, and accordingly Parroni lovingly depicts his young characters as sympathetic personifications of things to come.
Screens on Sunday, June 2 at 1pm with filmmaker Q&A! 🎟️: filmlinc.org/openroads
This week on the Film at Lincoln Center podcast and YouTube channel, watch/listen to director Ryûsuke Hamaguchi, lead actor Hitoshi Omika, and composer Eiko Ishibashi discuss their collaboration on the stunning #NYFF61 Main Slate selection EVIL DOES NOT EXIST.
🎧: filmlinc.org/flcpodcast
Get 🎟️ to the film, now playing daily at FLC: filmlinc.org/evil
📸: @photojuice
🎟️ are now on sale for Angels and Puppets: The Stage on Screen with Annie Baker, a series running from June 14-20 of 17 films handpicked by acclaimed playwright Annie Baker that engage with theater as a cinematic theme, in anticipation of the release of Baker’s directorial debut JANET PLANET.
The lineup includes:
- MY DINNER WITH ANDRÉ (1981) | June 14 at 6pm (followed by a Q&A with Annie Baker and Wallace Shawn)
- THE TALES OF HOFFMANN (1951) | June 15 at 6pm (introduction by Annie Baker)
- ALL THAT JAZZ (1979) | June 15 at 8:45pm (introduction by Annie Baker)
- A TALE OF WINTER (1992) | June 17 at 8:30pm (introduction by Annie Baker)
- ORIGINAL CAST ALBUM: COMPANY (1970) | June 20at 9pm (introduction by Annie Baker)
- THE BAND WAGON (1953) | June 15 at 3:30pm
- CHILDREN OF PARADISE (1945) | June 16 at 3pm
- FANNY AND ALEXANDER (1982) | June 16 at 6:45pm
- FLOATING WEEDS (1959) | June 18 at 9pm
- THE MAGIC FLUTE (1975) | June 19 at 9pm
- OPENING NIGHT (1977) | June 19 at 6pm
- RUMSTICK ROAD (2013) | June 17 at 6pm
- THE STORY OF THE LAST CHRYSANTHEMUM (1939) | June 18 at 6pm
- SUMMER STOCK (1950) | June 15 at 1pm
- TO BE OR NOT TO BE (1942) | June 16 at 1pm
- VANYA ON 42ND STREET (1994) | June 14 at 9pm
View full schedule and get tickets at filmlinc.org/puppets
🎟️ are now on sale for the #NYFF61 Main Slate selection JANET PLANET from writer/director Annie Baker!
Set in 1991 rural Western Massachusetts, the superb debut film from Pulitzer Prize–winning playwright Annie Baker is a work of surreal tranquility that moves at a different, lost pace of life, and which perceives heartbreak just as Lacy is beginning to grasp the world and her place in it. Baker has created a film about a mother and daughter quite unlike any other, heightening the viewer’s senses and expressing oceans of feeling with the smallest gestures. Julianne Nicholson and Zoe Ziegler perform their roles with an inspiring lack of sentimentality, and the wondrous supporting cast includes Elias Koteas, Sophie Okonedo, and Will Patton. An A24 release.
Baker will join us for Q&As at select screenings opening weekend, including at a special preview screening on Thursday, June 20! View showtimes and get tickets at filmlinc.org/janet
Now a @nytimes Critic’s Pick, Hong Sangsoo’s #NYFF61 Main Slate selection IN OUR DAY opens at FLC tomorrow!
We’re happy to offer complimentary merch related to the film while supplies last! See the film opening weekend (May 17-19) to receive a complimentary pin related to the film. Also, the first eight ticket holders at our 6:15pm screenings on Friday (May 17) and Saturday (May 18) will receive a complimentary t-shirt related to the film, while supplies last.
View available showtimes and get 🎟️ at filmlinc.org/day
📸: @photojuice
We’re thrilled to reveal the lineup for this summer’s free Outdoor Film Series, taking place as part of @LincolnCenter’s annual Summer for the City!
Summer for the City is Lincoln Center’s three-month-long summer festival featuring thousands of artists from New York City and beyond, performing across multiple outdoor and indoor stages. From June to August, Summer for the City will animate every corner of Lincoln Center’s 16-acre campus with hundreds of free and Choose-What-You-Pay concerts, film screenings, dance nights, theater, comedy, silent discos, civic events, family-friendly days, and more, a reflection of the multifaceted communities of New York.
This year's lineup includes:
BLACK SWAN (2010)
Thursday, June 13 at 9:00pm (Introduction by Darren Aronofsky)
BEFORE SUNRISE (1995)
Thursday, June 20 at 9:00pm
BEFORE SUNSET (2004)
Friday, June 21 at 9:00pm
RRR (2022)
Thursday, July 11 at 8:30pm
DICK (1999)
Thursday, July 25 at 9:00pm
Learn more at filmlinc.org/summercity
In anticipation of the theatrical release of #NYFF61 Main Slate selection JANET PLANET, we’re thrilled to present Angels and Puppets: The Stage on Screen with Annie Baker, a series of films handpicked by the acclaimed playwright that engage with theater as a cinematic theme.
The series will be presented at FLC from June 14 through June 20, with many films shown on 35mm 🎞️ and Baker in-person for select introductions and Q&As, including a sneak preview of JANET PLANET on June 20.
🎟️ will go on sale on Thursday, May 16 at noon, with an early access period for FLC Members starting Wednesday, May 15 at noon.
View full lineup and schedule: filmlinc.org/puppets
We call it “Cinema Italiano”...
Tickets are now on sale for Sophia Loren: La Signora di Napoli, a 13-film retrospective celebrating the beloved Italian 🇮🇹 icon’s essential body of work.
The series will run from June 7-13! View full schedule and get 🎟️ at filmlinc.org/sophia
We’re thrilled to announce that applications for our FLC Artists Academy and Critics Academy are now open through June 14!
With an emphasis on participation from underrepresented communities, the FLC Artists Academy and FLC Critics Academy take place during #NYFF62, September 27 – October 13, providing participants real-world experience and mentorship from professionals in their fields. The annual program is overseen by award-winning filmmaker Stacey Marbrey.
Learn more and apply today at filmlinc.org/academies
📸: @colleen_sturtevant_photography
✅ Frederick Wiseman
✅ Full retrospective
✅ Film at Lincoln Center
✅ Late 2024
As first reported by @indiewire in today’s article titled “Frederick Wiseman’s Entire Filmography to Be Available in Digital Formats for the First Time,” we’re beyond thrilled to confirm the news that “a full Wiseman retrospective will tour from the @centrepompidou in Paris, the @am_cinematheque in Los Angeles, and Film at Lincoln Center in New York beginning in fall of 2024.”
Many, many more details to come in the near future…
😲 Are you ready?
A few 📸 from Opening Night of this year’s New York @AfricanFilmFest with the North American premiere of Tolu Ajayi’s new feature OVER THE BRIDGE!
The 31st edition of the celebrated festival runs through Tuesday, May 14 with many selections making their North American, U.S., or New York premieres and featuring post-screening Q&As with visiting filmmakers.
View the complete screening schedule and get 🎟️ at filmlinc.org/african
📸: @photojuice
55 years ago today, the “Film Society of Lincoln Center” was officially born! Happy birthday to us! 🎂🎉🥳
Martin E. Segal was selected as President of the organization and Richard Roud was chosen to continue as the Program Director of the @TheNYFF (then in its sixth year).
Prior to this, with no actual brick-and-mortar location, the film department had been something of a peripatetic entity, organizing events, screenings, lectures, symposia, and educational programs, in addition to the annual @TheNYFF, with its annual costs covered by the Lincoln Center Fund.
“I convinced Schuman that what we really needed, as an initial step toward the integration of film into the Center, was a film department,” Vogel recalls telling @LincolnCenter's then president William Schuman, “[and then] a film department was established, of which I was the head. This film department, it was understood, would begin to develop programs or plans for other things in terms of film at [Lincoln] Center. Now, that means that even at this early stage I already began to [say] to Schuman: ‘Listen. You’ve got these other art forms here—opera, theater, music, whatever—why not film?’ In fact, frankly, speaking for myself, I felt the absence of film from [Lincoln] Center was sort of an example of the kind of cultural conservatism that I really wanted to help change.”
By 1967, as LCPA assessed its finances, Schuman began planning for the department to become something larger that could stand alone.
Thus, two years later, on May 9, 1969 the Film Society of Lincoln Center was officially born.
Our legacy continues to this very day, thanks to every audience member who has visited Film at Lincoln Center over the last 55 years, partaking in our shared sense of collective movie love.
We’ll see you soon today, tomorrow, and over the next 55 years.
filmlinc.org
Film at Lincoln Center and Cinecittà are thrilled to present Sophia Loren: La Signora di Napoli, a 13-film retrospective of the beloved 🇮🇹 star’s essential body of work, from June 7-13!
This first-ever New York retrospective dedicated to Sophia Loren’s films will feature many brand-new restorations of her most enduring works, as well as an appearance by filmmaker Edoardo Ponti.
🎟️ will go on sale on Friday, May 10 at noon, with an early access period for FLC Members starting Thursday, May 9 at noon! View full screening schedule at filmlinc.org/sophia
Now on the FLC podcast & Youtube channel, listen to/watch the speeches from last Monday’s star-studded 49th Chaplin Award Gala honoring the one and only Dude himself, Mr. Jeff Bridges!
Featuring speeches from Sharon Stone, Chris Pine, Rosie Perez, Blythe Danner, and Bridges himself, watch now at youtube.com/@filmlinc
📸: @photojuice, @seandiserio, and @mettieostrowski
Join us this Saturday at 11:30am for a free New York @AfricanFilmFest Master Class with renowned independent filmmaker Ngozi Onwurah!
Moderated by @_Ash_Clark, the conversation will cover how to utilize cinema as a tool for unmasking the dynamics of the socioeconomic status
Learn more how to attend the free event at filmlinc.org/african
We’re ready to celebrate the 31st edition of the New York African Film Festival!
Taking place in our theaters from May 8-14, this year’s festival encompasses the theme of “Convergence of Time,” exploring the intersection of historical and contemporary roles played by individuals representing Africa and its diaspora in art.
With more than 50 films from more than 25 countries, the festival invites audiences to delve into the convergence of archival and modern experimentalism, transcending both space and time.
View the screening schedule above and then secure your 🎟️ at filmlinc.org/african
It was a real gift having multi-instrumentalist composer @eikoishibashi join us last week in the Walter Reade Theater to perform her live score to Ryûsuke Hamaguchi’s GIFT!
Don’t miss the #NYFF61 Main Slate selection EVIL DOES NOT EXIST, a companion piece to & Hamaguchi’s extension of GIFT, now playing daily at Film at Lincoln Center!
View showtimes and get 🎟️ at filmlinc.org/evil
📸: @photojuice
Director Peter Kass and cast members Rita Moreno, Mort Sahl, and Alice Ghostley in rehearsal for the 1964 Broadway production of Lorraine Hansberry’s THE SIGN IN SIDNEY BRUSTEIN’S WINDOW.
TIME OF THE HEATHEN, Kass’s 1961 film directorial debut (the only feature film the theater artist ever directed) opens this Friday!
View showtimes and get 🎟️ at filmlinc.org/heathen
Congratulations to New York Film Festival Main Slate selection committee member Justin Chang on being awarded the 2024 Pulitzer Prize for Criticism!
Very well deserved! Read all of Justin’s new writing exclusively at @newyorkermag.
🎟️ are now on sale for the 2024 edition of 🇮🇹 Open Roads: New Italian Cinema, taking place in our theaters from May 30-June 6!
This year’s edition unveils a broad and diverse selection of Italy’s most exciting films, all North American, U.S., or New York premieres, with appearances and discussions by several of the filmmakers.
This year's selections are:
- COMANDANTE | Opening Night selection | May 30 at 7pm and June 3 at 3:15pm
- ADAGIO | North American Premiere | June 2 at 9pm and June 5 at 6pm
- ANOTHER END | North American Premiere | May 31 at 2:30pm and June 4 at 8:30pm
- THE BEAUTIFUL SUMMER | New York Premiere | May 31 at 6pm and June 3 at 8:45pm
- A BRIGHTER TOMORROW | New York Premiere | June 1 at 8pm and June 5 at 5:30pm
- AN ENDLESS SUNDAY | U.S. Premiere | June 2 at 1pm
- ENEA | North American Premiere | June 4 at 3:30pm and June 6 at 6pm
- I TOLD YOU SO | U.S. Premiere | May 31 at 9pm and June 5 at 8:45pm
- LUBO | New York Premiere | June 1 at 4pm and June 6 at 2pm
- MI FANNO MALE I CAPELLI | North American Premiere | June 2 at 7pm
- OCEANS ARE THE REAL CONTINENTS | New York Premiere | June 2 at 4pm
- EL PARAISO | North American Premiere | June 1 at 1pm and June 4 at 6pm
- THERE'S STILL TOMORROW | North American Premiere | May 30 at 4pm, June 3 at 6pm, and June 6 at 8:45pm
View full schedule and get 🎟️ at filmlinc.org/openroads
With our new series Seeing the City: Avant-Garde Visions of New York now underway thru Tuesday, May 7, keep track of each of each of the films you’ve seen (or want to see) with our official @letterboxd watch list!
Featuring up-to-date showtimes, the latest 🎟️ information, and much more: boxd.it/uK772
The series will feature a selection of films from The Film-Makers’ Cooperative catalog and elsewhere that paint a unique portrait of the city we call home, with many presented on 16mm.
🚨 There’s less than one week remaining to submit your short film for #NYFF62 consideration! Submissions close this Monday, May 6, at 11:59 PM PDT.
NYFF’s call for short film submissions provides an opportunity for new and emerging filmmakers to share their work. In addition to short film submissions collected via FilmFreeway, the NYFF62 selection committee considers recommendations from alumni and industry colleagues, as well as work that has premiered in international festivals and galleries since the previous edition of NYFF.
Submitted films will be evaluated by NYFF62 programming staff and considered equally with all other prospective entrants. All films submitted through FilmFreeway will be notified of their status August 16.
Learn more and submit at filmfreeway.com/NYFF
🚨 Save on #NYFF62 Passes thru this Friday, May 3!
NYFF62 Passes give you access to one of the earliest pre-sale periods, plus single ticket fees are waived. Maximum of one pass per transaction and two tickets per screening when redeeming pass.
Passes can be used for tickets to Lincoln Center venues only—Alice Tully Hall (ATH), Walter Reade Theater (WRT), and Elinor Bunin Munroe Film Center (EBM).
This year’s festival takes place at @filmlinc from September 27-October 13.
Don’t delay, secure yours now and save! 🎟️: filmlinc.org/passes
View the schedule for our upcoming series Seeing the City: Avant-Garde Visions of New York!
This set of programs offers an introduction to some of the films in @filmmakerscoop collection (and beyond) that explore the city we call home.
From the lyrical evocations of the anonymity of the crowd and mass transit, and a clutch of visionary works examining the built environment, to sets of films exploring housing, the lurking shadow of ever-encroaching gentrification, and works on specific areas of the city, this selection gives an alternative vision of one of the most filmed and photographed metropolises on earth.
Begins Friday! 🎟️: filmlinc.org/coop
Ryusuke Hamaguchi, director of the Academy Award-winning #NYFF59 Main Slate selection DRIVE MY CAR, returns to our screens with the #NYFF61 Main Slate selection EVIL DOES NOT EXIST, opening this Friday at Film at Lincoln Center!
Deep in the forest of the small rural village Harasawa, single parent Takumi lives with his young daughter, Hana, and takes care of odd jobs for locals, chopping wood and hauling pristine well water. The overpowering serenity of this untouched land of mountains and lakes, where deer peacefully roam free, is about to be disrupted by the imminent arrival of the Tokyo company Playmode, which is ready to start construction on a glamping site for city tourists—a plan, which Takumi and his neighbors discover, that will have dire consequences for the ecological health and cleanliness of their community.
View full schedule and get 🎟️: filmlinc.org/evil
Based on the true story of an East Congo all-women’s boxing club and their ex-child-soldier coach, Matthew Leutwyler’s FIGHT LIKE A GIRL makes its North American Premiere on May 10 at 8:15pm (with Q&A) as part of this year’s New York @AfricanFilmFest!
A young Congolese woman (Ama Qamata from the hit Netflix series BLOOD AND WATER) forced to work in an illegal mineral mine escapes her captors and finds a new life for herself after joining a renowned all-women’s boxing club in the border city of Goma.
View full schedule and get 🎟️: filmlinc.org/african
Bette Gordon’s GREED: PAY TO PLAY (on 16mm), Holly Fisher’s FROM THE LADIES, and Shirley Clarke’s SKYSCRAPER screen this Saturday, May 4 & next Monday, May 6 as part of Program 4 (Architecture and Gendered Space) of our upcoming series Seeing the City: Avant-Garde Visions of New York!
Three films by Shirley Clarke, Bette Gordon, and Holly Fisher deconstruct the mythos of the skyscraper—a central presence within the overarching mythos of New York City itself—by examining, critiquing and poking fun at the association of these feats of engineering with gendered labor.
View full schedule and get 🎟️: filmlinc.org/coop
A few 📸 of Ryûsuke Hamaguchi at Film at Lincoln Center and @TheNYFF over the years.
Ahead of EVIL DOES NOT EXIST opening on May 3, FLC officially becomes the house of Hamaguchi this weekend with Hamaguchi I & II, our retrospective of the great Japanese filmmaker, running through April 30 only!
View full schedule and get 🎟️: filmlinc.org/hamaguchi
Feast your 👁️ 👁️ on the new poster for Peter Kass’s TIME OF THE HEATHEN (1961), opening in our theaters on May 10!
For his first and only feature, theater actor-director (and protégée of Clifford Odets) Peter Kass put a politically charged twist on the wrong-man thriller, resulting in a work of enveloping atmosphere that visionarily explores the post-traumatic delirium of war. Set in New York four years after the bombing of Hiroshima, the film follows a bible-carrying drifter named Gaunt (John Heffernan), who, after witnessing the rape and murder of a Black woman, is framed and pursued by locals while left as the sole protector of the woman’s young son.
Long thought lost and newly restored in 4K, Film at Lincoln Center is pleased to present the film’s first-ever New York theatrical run. 🎟️: filmlinc.org/heathen
Co-stars in Matthew Warchus’s SIMPATICO (2000), Sharon Stone will join us in honoring @thejeffbridges at the 49th annual Chaplin Gala on April 29!
Join Stone, Cynthia Erivo, Rosie Perez, & Chris Pine in paying tribute to Mr. Bridges at our Gala event. 🎟️: filmlinc.org/gala
It was great fun having screenwriter @JustinKuritzkes join us last night for our special advance screening of @challengersmovie!
The Luca Guadagnino-directed film opens in theaters nationwide this Friday, April 26. Learn more at challengersmovie.com
📸: @photojuice
Anton Chekhov hive, rise up! ✍️ 😍
This weekend, why not spend your day at @LCTheater seeing the new Broadway production of UNCLE VANYA starring Steve Carell and then hopping on over to FLC to watch the UNCLE VANYA-inspired DRIVE MY CAR from director Ryûsuke Hamaguchi? 🎭
Inspired by a Haruki Murakami short story, DRIVE MY CAR is an engrossing, rapturous epic about love and betrayal, grief and acceptance. With his characteristic emotional transparency, Hamaguchi charts the unexpected, complex relationships that theater actor-director Yûsuke Kafuku forges with a trio of people out of professional, physical, or psychological necessity: his wife, Oto, with whom he shares an erotic bond forged in fantasy and storytelling; the mysterious actor Takatsuki, whom he’s drawn to by a sense of revenge as much as fascination; and, perhaps most mysteriously, Misaki, a plaintive young woman hired by a theater company, against his wishes, to be his chauffeur while he stages UNCLE VANYA. Winner of the 2022 Oscar for Best International Feature Film and and an #NYFF59 Main Slate selection.
View full schedule and get 🎟️: filmlinc.org/hamaguchi
Stan Brakhage (on 16mm 🎞️), Shirley Clarke (on 16mm 🎞️), Robert Crawford (on 16mm 🎞️), & many more are featured in Program 1 of our upcoming series with @filmcoop, Seeing the City: Avant-Garde Visions of New York! 🍎
Program 1 will screen on May 3 at 6pm & May 6 at 8:15pm! View full schedule and get 🎟️ at filmlinc.org/coop
A truly original VERTIGO riff, based on a novel by Tomoka Shibasaki, Ryûsuke Hamaguchi’s ASAKO I & II remains a mysterious film that traces the trajectory of a love (or two loves) found, lost, displaced, & regained.
The #NYFF56 Main Slate selection screens this Saturday at 5:30pm and Monday at 6pm as part of our retrospective Hamaguchi I & II! 🎟️: filmlinc.org/hamaguchi
🎟️ #NYFF62 Passes are now on sale!
Passes provide access to one of the festival’s earliest pre-sale periods (plus single ticket fees are waived) and if purchased by Friday, May 3, you will save at our most discounted rate!
Maximum of two passes per person and two tickets per screening, subject to availability. Passes can be used for tickets to Lincoln Center venues only—Alice Tully Hall (ATH), Walter Reade Theater (WRT), and Elinor Bunin Munroe Film Center (EBM).
Learn more and secure your pass today at filmlinc.org/passes
From #NYFF59 in 2021, director Ryûsuke Hamaguchi recreates the poster for his film WHEEL OF FORTUNE AND FANTASY on the escalator here at Film at Lincoln Center.
The film screens this Friday at 5pm, Saturday at 3pm, and next Tuesday at 8pm as part of our retrospective of the 🇯🇵 filmmaker, Hamaguchi I & II!
In this rapturous, altogether delightful triptych of stories, a lively and intricately woven work of imagination that questions whether fate or our own vanities decide our destinies, Hamaguchi again proves he’s one of contemporary cinema’s most agile dramatists of modern love and obsession.
🎟️: filmlinc.org/hamaguchi
📸: @brighter_later
🚨 There are only two more weeks to submit your short for consideration in #NYFF62! 🚨
Short films submitted on FilmFreeway are considered for NYFF’s Currents section, with submissions being accepted thru Monday, May 6 at 11:59pm PDT.
A complement to the NYFF's Main Slate, Currents traces a more complete picture of contemporary cinema, with an emphasis on new and innovative voices. The section presents a diverse offering of short, medium, and feature-length work by filmmakers and artists working at the vanguard of narrative, documentary, and experimental modes.
Learn more and apply: filmfreeway.com/NYFF
Pictured above: Alex Ashe's MAGIC RING, which made its World Premiere at #NYFF60!
Happy birthday to Claire Denis, born #OTD in 1946. It’s always great seeing her face (on anything)! 🎉🥳
Denis was last here at FLC in 2022 with the Rendez-Vous with French Cinema Opening Night selection BOTH SIDES OF THE BLADE and the #NYFF60 Main Slate selection STARS AT NOON.
Thanks to everyone (from the filmmakers to their audiences) who participated in this year’s New Directors/New Films, our 53rd edition!
Our 2024 #NDNF YouTube playlist will continue to be updated in the coming days with additional Q&As and programmers previews from the event. Be sure to subscribe to @filmlinc on YouTube to view the latest!
📸: @photojuice
Come hell or high water the great Chris Pine (Jeff Bridges’s co-star in HELL OR HIGH WATER) will be joining us Monday, April 29 for the 49th Chaplin Award Gala honoring Academy Award-winning actor @TheJeffBridges!
Join us for what’s sure to be a very special evening. 🎟️: filmlinc.org/gala
A five-hour happy hour? 🍻🍺 There’s nothing better than that...
A 2016 New Directors/New Films selection, Ryûsuke Hamaguchi’s HAPPY HOUR screens Sunday, April 28 at 3:30pm as part of Hamaguchi I & II, our retrospective of the 🇯🇵 filmmaker’s work.
🎟️: filmlinc.org/hamaguchi
Check out the brand new poster for the #NYFF61 Spotlight selection HIT MAN from director Richard Linklater!
The film will premiere in select theaters this May and on Netflix June 7. 😎
Joining us at the 49th Chaplin Award Gala on April 29 to honor @thejeffbridges will be the great @rosieperezbrooklyn, who received an Academy Award nomination for Best Supporting Actress for her performance alongside Bridges in Peter Weir‘s FEARLESS (1993).
View a few 📸 from the film set above and then secure your seats to this year’s Gala! 🎟️: filmlinc.org/gala
What more can be said of Edward Yang (pictured above) and his 2000 directorial effort YI YI, a masterpiece that remains a work of extraordinary synchronicity, empathy, and narrative control?
The #NYFF38 Main Slate selection returns to our theaters beginning this Wednesday for one week only along with his deeply personal 237-minute epic A BRIGHTER SUMMER DAY (1991)!
View schedule and get 🎟️ at filmlinc.org/yang
On this week’s FLC podcast and YouTube channel, listen to/watch our conversation with director @baloji about expanding viewers’ expectations of African cinema with the 2024 New Directors/New Films selection OMEN. #NDNF
🎧: filmlinc.org/flcpodcast or wherever you find your podcasts
📸: @photojuice
Remembering Eleanor Coppola (1936-2024): director of HEARTS OF DARKNESS: A FILMMAKER’S APOCALYPSE and PARIS CAN WAIT, author of NOTES ON A LIFE, wife of Francis, and mother of Sofia, Roman, & Gian-Carlo.
Hey now, we’ve heard of that organization before! 👋
Make sure to come visit FLC this weekend (and beyond)!
Returning to FLC from April 17-25, Edward Yang's deeply personal epic A BRIGHTER SUMMER DAY (1991) remains an extraordinary memory film and one of the filmmaker's crowning cinematic achievements.
Set in the early 1960s (Yang’s own teenage years) and inspired by the true story of Taiwan’s first juvenile homicide case, the film follows rebellious teenager Xiao Si’r (the debut role of Chen Chang, years before appearing in HAPPY TOGETHER and CROUCHING TIGER, HIDDEN DRAGON) as he comes of age amid rival street gangs and the “White Terror” witch hunts of Chiang Kai-shek’s Kuomintang government.
Beginning Wednesday, A BRIGHTER SUMMER DAY plays in repertory with Yang’s masterpiece YI YI (2000)! Get 🎟️: filmlinc.org/yang
We’re beyond thrilled to announce Cynthia Erivo, Rosie Perez, Chris Pine, & Sharon Stone as speakers who will pay tribute to @thejeffbridges at our 49th Chaplin Gala on April 29!
The Chaplin Award Tribute will feature excerpts from a selection of Bridges’ work, appearances by co-stars, friends, and colleagues, and the presentation of the award itself.
Learn more and purchase your 🎟️ today: filmlinc.org/speakers
Tickets are now on sale for Seeing the City: Avant-Garde Visions of New York from The Film-Makers’ Cooperative Collection and Beyond!
From May 3–7, discover a selection of films that that paint a unique portrait of the city we love and call home. From the lyrical evocations of the anonymity of the crowd and mass transit, and a clutch of visionary works examining the built environment, to sets of films exploring housing, the lurking shadow of ever-encroaching gentrification, and works on specific areas of the city, this selection gives an alternative vision of one of the most filmed and photographed metropolises on earth.
🎟️: filmlinc.org/coop
Happy National Sibling Day! 👩👩👧👦💏🩷
Here’s to those we keep nearest and dearest, the ones we ride and die for.
On April 29, Film at Lincoln Center honors the legendary @TheJeffBridges as the recipient of the 49th Chaplin Award at a gala evening taking place in Alice Tully Hall!
With over 100 awards & 70 films to his name, this is sure to be a very special evening. Chaplin Gala 🎟️ are on sale now! Secure yours today: filmlinc.org/gala
Now on the FLC Youtube channel, watch our recent Q&A with director Bertrand Bonello about the centuries-spanning #NYFF61 Main Slate selection THE BEAST!
Touching on modern anxieties of AI and incel culture, which may recur throughout history as commonly as love and hate, THE BEAST, like all good science-fiction, asks essential questions about the ever-shifting status of humanity itself.
THE BEAST is now playing daily at FLC. 🎟️: filmlinc.org/beast
📸: @lancelot_q
From May 3–7, FLC & @filmcoop present Seeing the City: Avant-Garde Visions of New York from The Film-Makers’ Cooperative Collection and Beyond, a selection of films that paint a unique portrait of the city, with many presented on 16mm.
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- Program 1: Moving Through the Metropolis: Transit Images | May 3 at 6pm & May 6 at 8:15pm
- Program 2: The Postwar City Symphony, Part 1 | May 3 at 8:15pm & May 7 at 6pm
- Program 3: The Postwar City Symphony, Part 2 | May 4 at 1pm & May 7 at 8:30pm
- Program 4: Architecture and Gendered Space | May 4 at 3:30pm & May 6 at 6pm
- Program 5: Gentrification and Urban Renewal, Part 1 | May 4 at 6pm
- Program 6: Gentrification and Urban Renewal, Part 2 | May 4 at 8pm
- Program 7: On the Loisaida and the Streets of the South Bronx | May 5 at 1pm
- Program 8: Off to the Beach: Coney Island | May 5 at 3:45pm
- Program 9: Nature and Nonhuman Animals | May 5 at 6:30pm
- Program 10: Downtown Counternarratives | May 5 at 8:30pm
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🎟️ for “Seeing the City: Avant-Garde Visions of New York from The Film-Makers’ Cooperative Collection and Beyond” go on sale on Wednesday, April 10 at noon.
See more and save at “Seeing the City: Avant-Garde Visions of New York from The Film-Makers’ Cooperative Collection and Beyond” with a 3+ Film Package ($15 for general public; $12 for students, seniors (62+), and persons with disabilities; and $10 for FLC Members), the $79 All-Access Pass, or the $59 Student All-Access Pass.
View full lineup: filmlinc.org/city
With FIRST CASE, writer-director Victoria Musiedlak constructs a thoughtful thriller around a captivating & textured performance from Noée Abita, a rapidly rising star of French cinema.
When she’s abruptly called into work after a night at the club, inexperienced 26-year-old lawyer Nora (Noée Abita) must travel in the wee hours to the northern city of Arras, where she’s tasked with monitoring the interrogation of Jordan (Alexis Neises), the teenage suspect in a murder case. Drawing on prior professional experience mostly limited to financial disputes, Nora finds herself challenged by both the complications of the investigation and her uneasy attraction to the officer in charge, cocky and dominant Servan (Anders Danielsen Lie, THE WORST PERSON IN THE WORLD).
The U.S. Premiere takes place this Sunday evening at 9pm with filmmaker in person for a Q&A! Get 🎟️ at filmlinc.org/rdv24
FLC & @themuseumofmodernart are excited to announce the 53rd edition of New Directors/New Films (ND/NF), taking place from April 3-14.
The 2024 lineup:
- A DIFFERENT MAN (Aaron Schimberg) | New York Premiere | Opening Night Selection
- STRESS POSITIONS (Theda Hammel) | New York Premiere | Closing Night Selection
- ALL, OR NOTHING AT ALL (Jiajun “Oscar” Zhang) | North American Premiere
- BLACKBIRD BLACKBIRD BLACKBERRY (Elene Naveriani) | New York Premiere
- BLAGA'S LESSONS (Stephan Komandarev) | New York Premiere
- CU LI NEVER CRIES (Pham Ngoc Lân) | North American Premiere
- THE DAY I MET YOU (André Novais Oliveira) | New York Premiere
- DREAMING & DYING (Nelson Yeo) | North American Premiere
- EXHIBITING FORGIVENESS (Titus Kaphar) | New York Premiere
- EXPLANATION FOR EVERYTHING (Gábor Reisz) | New York Premiere
- FOREMOST BY NIGHT (Víctor Iriarte) | New York Premiere
- GOOD ONE (India Donaldson) | New York Premiere
- A GOOD PLACE (Katharina Huber) | North American Premiere
- GRACE (Ilya Povolotsky) | New York Premiere
- HESITATION WOUND (Selman Nacar) | New York Premiere
- INTERCEPTED (Oksana Karpovych) | North American Premiere
- A JOURNEY IN SPRING (Wang Ping-Wen and Peng Tzu-Hui) | North American Premiere
- LOST COUNTRY (Vladimir Perišić) | New York Premiere
- MALU (Pedro Freire) | New York Premiere
- MEEZAN (Shahab Mihandoust) | U.S. Premiere
- OF LIVING WITHOUT ILLUSION (Katharina Lüdin) | North American Premiere
- OMEN (Baloji) | New York Premiere
- OTRO SOL (Francisco Rodríguez Teare) | North American Premiere
- THE PERMANENT PICTURE (Laura Ferrés) | North American Premiere
- THE RIM (Alberto Gracia) | U.S. Premiere
- Shorts Program I
This program of short films features Rachel Gutgarts’s VIA DOLOROSA, Shuli Huang’s GOODBYE FIRST LOVE, Inês Teixeira’s SHIMMERING BODIES, Aliha Thalien’s NOS ÎLES, & Fatima Kaci’s THE VOICE OF OTHERS.
- Shorts Program II
This program of short films features Lei Lei's BREAK NO. 1 & BREAK NO. 2, Juliana Zuluaga Montoya's THE NIGHT OF THE MINOTAUR, Sebastian Molina Ruiz's KILL ’EM ALL, Lou Fauroux's THE PORN SELECTOR, & Cameron Worden's DIGITAL DEVIL SAGA.
View schedule: filmlinc.org/ndnf53
It was great having Léa Seydoux join us last night for a special advance screening of the #NYFF61 Main Slate selection THE BEAST!
Director Bertrand Bonello’s new film will open at FLC on April 5 and 🎟️ will be on sale soon! Learn more at filmlinc.org/beast
📸: @photojuice
🇫🇷 The 2024 edition of Rendez-Vous with French Cinema runs through March 10! 🇫🇷
This popular annual festival showcases the verve, creativity, and depth of contemporary French cinema in a variety of genres.
View the full schedule above and get 🎟️: filmlinc.org/rdv24
We were thrilled to have director Denis Villeneuve join us last night for an advance screening of DUNE: PART TWO! The highly anticipated continuation of @dunemovie, DUNE: PART TWO opens worldwide on March 1.
Our two-week retrospective celebrating the films and cinematic influences of Denis Villeneuve concludes tomorrow. Get 🎟️ now: filmlinc.org/denis
📸: @photojuice
When six-year-old Cléo travels with her beloved nanny Gloria to visit Gloria’s native Cape Verde, the ripple effect of her presence brings underexplored emotions and familial tensions to the surface.
Beautifully animated interludes add an unexpected touch of stylization to a film about the complicated, slowly dissolving bond between a young girl just beginning her life and a caretaker re-entering hers.
A 2024 Rendez-Vous with French Cinema selection, ÀMA GLORIA makes its New York premiere this Saturday at 3:45pm with director Marie Amachoukeli in person for a Q&A!
🎟️: filmlinc.org/rdv24